Taboo 6, the last fully incest themed porn of the Taboo series had a great story line. Usually sequels start to fall apart with each subsequent film release, but this movie is good enough as a stand alone. Compared to the others in the series, Taboo 6 is distinct. All new actors, this time a sibling pairing. A brother and sister who also happen to be twins with a psychic connection.

Nina Hartley shows why she was truly a star among pornstars. Taboo 6 starts with her working out. She pushes her hot little body with all the intensity of a TV fitness instructor, very popular in the 80s. Right down to the dripping sweat, that you rarely see on the fitness influencers of today. Ms. Hartley, then goes on to carry the film with her acting chops, as she is in practically every scene.

The premise of the story is that Nina is a twin, having shared the womb with her brother. Although she is married, she and her sibling are very close because the share a psychic connection. This connection floods her with Taboo thoughts every time her brother takes a new lover. She finds herself experiencing the physical desire and pleasures that he shares with his girlfriend. This is shown with crazy masturbation scenes overlapped by sex scenes where the girlfriend is swapped out for the sister.

Taboo 6 embraces some of the new age trends of it’s time. As our main character goes to a celebrity psychic to get help with her problem. She has an episode (where she feels her brother inside of her). The struggling psychic (who’d been working from her recently departed sister’s reputation) suddenly gets real powers. She explains that this brother and sister have been lovers since the beginning of time. Only this reincarnation, they shared a womb, so they could share an entire lifetime, instead of waiting to find each other.

It’s as cheesy a plot as any. Nina divorces her husband whom no longer satisfies her. She goes to stay with her newly engaged brother, to offer him options. Of course the fiance is jealous, and rightly so. But Taboo 6 is not without a plan. Brother has to see the truth in the psychics crystal ball. Once all is revealed, the twins are free to be the lovers that their souls always knew them to be.

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Taboo 5 : the secret, is like seeing a nun’s panties on a clothes line — sexual and confusing but weirdly fascinating. You know you should look away, but your eyeballs are glued and your cock is aroused!

Part 2

Taboo 5 is the last of this series to be filmed on film. We see the return of Amber Lynn, but this time she is cuckolding Daddy. The infamous Dr whom everyone sees to talk about their incestuous desires. Junior is back too, working his way through the perverse sex-addicts of this inner circle. The central relationship themes with their BDSM leanings and psychosis seems to be borrowed from Taboo American Style.

This time the mother has split into two personalities because she denies herself her incestuous desires. The sexual repression causes her to seek random encounters which her principal personality is oblivious too. This fugue state allows her to experience sex without guilt. Eventually her son takes advantage, and she gets the psychic therapy she really needs, while her body gets the sex she has been craving.

Dudes, dudettes, and people who definitely didn’t walk in here by accident—gather ‘round, because we’re talking about the most legendary, so-taboo-it’s-awesome cinematic masterpiece to ever grace a sticky-floored dorm room TV. Yeah, we’re diving into that genre, with Taboo 5 you must be missing the comforts of home very badly, Since Taboo 1, 2, 3 and 4, left you wanting more.

Why This Movie is a MASTERPIECE (No, Seriously, Bro):

1. The Dialogue: There are so many soap-operatic subplots that this film drags on. Every line is either gold or golden garbage. Example: “We can’t do this!” “But the will says we HAVE to!” Classic.
2. The Soundtrack: It’s the 80s, so the music rocks.
3. The Cinematography: Shot on film, but the masters were replaced with VCR dubs, not exactly prime quality.

Final Rating: 8/10 Would Watch Again (At a family reunion)

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Taboo 1 lay the groundwork for a series of incestuously themed full length erotic films. Kirdy Stevens directed the scripts written by his wife Helene Terrie, a sensually committed couple who had no difficulty sharing and exploring their fantasies with the world. The first three of these films starred Kay Parker, who became a sort of poster mom for the epoque. Known for its explicit exploration of the taboo subject of incest, the film sparked significant debate and censorship upon its release.

At its core, Taboo 1 tells the story of a young man who engages in a sexual relationship with his mother following the departure of his father. Their changing relationship has a psychological and emotional impact on the mother. Her perspective is presented in a way that is both explicit and unflinching. This subject matter, which is still considered deeply taboo made the film highly controversial. It was banned in several countries and faced significant censorship in others, yet it also garnered a cult following and became a notable example of underground and exploitation cinema.

Watch Taboo American Style part one

Taboo 1 also had a lasting impact on the genre of erotic cinema. The film spawned a series of sequels through the 80s. The writer-director couple made 5 feature length films in total. These included Taboo 1 (1980), Taboo II (1982) and Taboo III (1984), all with Kay Parker. As well as, Taboo IV-The Younger Generation (1985), and Taboo V – The Secret (1986). Their success inspired a mini-series of similarly themed movies under the title Taboo American Style.

While it may not be a film for everyone, its impact on American culture and its role in shaping discussions about censorship and sexuality cannot be denied. Taboo was part of a broader trend, to push the boundaries of what could be depicted on screen, both mainstream and hardcore. It challenged audiences to confront uncomfortable truths about human desire and relationships. In many ways, Taboo is a reflection of its time—a bold, unapologetic exploration of the boundaries of human experience and the limits of what society is willing to accept.

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