Taboo 6, the last fully incest themed porn of the Taboo series had a great story line. Usually sequels start to fall apart with each subsequent film release, but this movie is good enough as a stand alone. Compared to the others in the series, Taboo 6 is distinct. All new actors, this time a sibling pairing. A brother and sister who also happen to be twins with a psychic connection.

Nina Hartley shows why she was truly a star among pornstars. Taboo 6 starts with her working out. She pushes her hot little body with all the intensity of a TV fitness instructor, very popular in the 80s. Right down to the dripping sweat, that you rarely see on the fitness influencers of today. Ms. Hartley, then goes on to carry the film with her acting chops, as she is in practically every scene.

The premise of the story is that Nina is a twin, having shared the womb with her brother. Although she is married, she and her sibling are very close because the share a psychic connection. This connection floods her with Taboo thoughts every time her brother takes a new lover. She finds herself experiencing the physical desire and pleasures that he shares with his girlfriend. This is shown with crazy masturbation scenes overlapped by sex scenes where the girlfriend is swapped out for the sister.

Taboo 6 embraces some of the new age trends of it’s time. As our main character goes to a celebrity psychic to get help with her problem. She has an episode (where she feels her brother inside of her). The struggling psychic (who’d been working from her recently departed sister’s reputation) suddenly gets real powers. She explains that this brother and sister have been lovers since the beginning of time. Only this reincarnation, they shared a womb, so they could share an entire lifetime, instead of waiting to find each other.

It’s as cheesy a plot as any. Nina divorces her husband whom no longer satisfies her. She goes to stay with her newly engaged brother, to offer him options. Of course the fiance is jealous, and rightly so. But Taboo 6 is not without a plan. Brother has to see the truth in the psychics crystal ball. Once all is revealed, the twins are free to be the lovers that their souls always knew them to be.

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Taboo 5 : the secret, is like seeing a nun’s panties on a clothes line — sexual and confusing but weirdly fascinating. You know you should look away, but your eyeballs are glued and your cock is aroused!

Part 2

Taboo 5 is the last of this series to be filmed on film. We see the return of Amber Lynn, but this time she is cuckolding Daddy. The infamous Dr whom everyone sees to talk about their incestuous desires. Junior is back too, working his way through the perverse sex-addicts of this inner circle. The central relationship themes with their BDSM leanings and psychosis seems to be borrowed from Taboo American Style.

This time the mother has split into two personalities because she denies herself her incestuous desires. The sexual repression causes her to seek random encounters which her principal personality is oblivious too. This fugue state allows her to experience sex without guilt. Eventually her son takes advantage, and she gets the psychic therapy she really needs, while her body gets the sex she has been craving.

Dudes, dudettes, and people who definitely didn’t walk in here by accident—gather ‘round, because we’re talking about the most legendary, so-taboo-it’s-awesome cinematic masterpiece to ever grace a sticky-floored dorm room TV. Yeah, we’re diving into that genre, with Taboo 5 you must be missing the comforts of home very badly, Since Taboo 1, 2, 3 and 4, left you wanting more.

Why This Movie is a MASTERPIECE (No, Seriously, Bro):

1. The Dialogue: There are so many soap-operatic subplots that this film drags on. Every line is either gold or golden garbage. Example: “We can’t do this!” “But the will says we HAVE to!” Classic.
2. The Soundtrack: It’s the 80s, so the music rocks.
3. The Cinematography: Shot on film, but the masters were replaced with VCR dubs, not exactly prime quality.

Final Rating: 8/10 Would Watch Again (At a family reunion)

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The Cement Garden was based on Ian McEwan’s novel of the same name

The Cement Garden is a bizarre film almost surreal. The story revolves around a family with 4 children, and the tragedies they endure. Like the backyard “garden” cemented in, the dysfunctional family struggles in its development. Tragedies orphan the 4 siblings and they struggle to deal with things in each his own way.

The film is focused on the eldest boy Jack, who at 15 feels guilty for his father’s heart attack.  He was supposed to be helping him re-cement the backyard, the Cement Garden. But he had snuck away to masturbate. In fact, this is largely a coming of age film for Jack (Andrew Robertson), who goes from a narcissistic masturbate ‘r to the male head of his household in a few short months. The shared responsibilities, and lack of adult supervision, turn his hormonal tendencies into an unhealthy obsession for his 17 year old sister Julie (Charlotte Gainsbourg).

The tension between the elder pair of siblings is typical at first. As when their mother takes ill, Julie finds herself strapped down with the full responsibilities of a housewife. Their mother prepares for a long hospital stay and warns Jack that he must help his sister keep her absence secret as the authorities would put his younger siblings, maybe him too, into protective and take the family home. When she dies before treatment, Jack and Julie hide her body in the basement, encased in the leftover cement meant for the Cement Garden.

The youngest brother Tom is only a first grader. He misses his mother so much that be begins a psychological spiral. This spiral starts with bullying, continues with cross-dressing and role playing and ends with him adopting infantile behaviors. This pseudo-sexuality is rarely seen or captured in such a young actor. But the Cement Garden is not your typical film. Tom was played by the director, Andrew Birkin’s own son Ned. And the family affair doesn’t end there, as the female lead, Charlotte Gainsbourg is the director’s niece.

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Forbidden Fruit stars Honey Wilder as the sexually liberal mom. This movie is a stand alone incest themed story.

A cowboy visits an old girlfriend. She is now a widow and the mother of 3 gorgeous daughters, all as sexually liberal as mom. What he doesn’t know is that one of those young ladies is his daughter. In this video you know that he ends up fucking her!

A few familiar faces grace the screen again in Forbidden Fruit. Most notably, Honey Wilder who is also one of the main characters in the Taboo series. She is featured as Mrs. McBride in Taboo 2, 3, and 4. Also from the taboo series is Eric Edwards who played Greg McBride in Taboo 2. And from the Taboo American Style mini series we have Tom Byron, who played the brother / son.

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Forbidden Fruit is a rather whimsical, almost satirical film. The story is centered on a family of girls being raised by their mother. Of course they have farm hands to help out around the place, but their hired help are best described as horny hicks. Their over the top stereo typical dialogue is comical. When the main male character, a love interest to Honey Wilder’s Mother role shows up, she is in the middle of a DP between the two hired hands. Though only two years separate the release of Taboo 2 and Forbidden Fruit, Eric Edwards goes from playing Honey Wilder’s son to starring as an old lover and Daddy to her 18 year old daughter.

With an orgy scene mid way through Forbidden Fruit, we discover that Mom’s sexual liberty extends to her daughters. She casually watches as the sisters get it on with the farm hands, and another couple, in the middle of the living room. Eric Edwards finds himself being hit on by each of the girl’s and wants to avoid his own, but everyone else has other plans. In an attempt to get him to stay, Mom and daughter seduce him together, but after the encounter he rides off into the sunset.

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Taboo American Style 4 is the last of this series, with the diabolical beauty Nina played by pornstar Raven. This conclusionary film has less to do with incest and more to do with Nina using her body to seduce and manipulate with a sexual awareness beyond her years.

The Sullivan family, in Taboo American Style 4 sees the ramifications of their incestuous existence. Mom seems to be feeling better as she continues her therapy after seducing her son. Nina meanwhile is out of control, using her hen-pecked Father like an ATM machine so she can make an impression on the local film industry.

Taboo American style 4 watches the relationships between everyone change. Daddy is succumbing to the pressures of finances because of Nina’s unhindered spending habits. Meanwhile he is the last thing on Nina’s mind as she schemes and weasels her way into getting everything she wants. Furthermore her brother feels like he is suffocating under his mother’s attention. He starts to drink heavily. So the relationship between mother and son turns sour. Nina’s attention drifts from producer to talent agent. She find out people’s sexual secrets and proclivities and like a seasoned BDSM mistress she uses this knowledge and her talents as weapons against them.

Watch Taboo American Style 3

The incestuous scenes are holdovers from the first three parts to the series, and more flashbacks. The full sex scenes are all of Nina’s manipulations even when she isn’t directly in them. If you are caught up in the characters of Taboo American Style, then don’t miss this conclusion. If you are only wanting to see hardcore incestuous interaction, then you’ll still find some in this movie. In the end, Nina is the only one in the end who gets what they want.

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La Luna is a film by Bertolucci and it explores the intertwining themes of addiction and obsession overlaid on familial love and commitment.

“La Luna” tells the story of Joe Silveri, a teenage boy who finds himself uprooted and in a foreign environment after his father’s untimely death. His mother, a famous opera signer, submerges herself in her work to deal with the loss, leaving her son to find his own way. Joe loves his mother, especially when she sings but as he tries to make sense of coming of age, being an American in Rome, and finding his place in the world, he longs for something he can count on, for structure and consistency. His mother, Caterina, is absorbed by her art and in contrast to her son, she is at ease in Italy, where she learned her trade. She speaks Italian fluently and surrounded by people who love and support her, she flourishes professionally. She doesn’t even realize that she has been ignoring her son until her assistant reminds her that his birthday is the next day.

Joe overhears that she has forgotten and becomes sullen and dismissive with his mother’s attempts to make his day special. He wanders off from his birthday party with his girlfriend and his mother goes looking for him. Her world comes crashing down when she discovers that he is shooting up heroin. Suddenly her career is unimportant and she starts to obsess over her son. Afraid to be alone, feeling like a failure as a mother, she will do anything to make things right for him. She hounds him for answers but he remains aloof, believing that she is more concerned with her reputation than him. They fight, she frets, he collapses and she calls in a doctor, who tells her what to expect when he awakes. She finds his drug supplier and learns how homesick Joe has been. She tries to payoff the dealer to stop selling his drug, but he gives her a fresh supply instead, saying that her son will be needing it.

Incapable of tough love, Caterina practically smothers her son with everything she thinks he needs. Her obsession becomes incestuous after she alleviates some of his drug withdrawal pain by groping him. She tells Joe that he is half-Italian and continues to try to seduce him, even tries to make him jealous. But he just wants the kind of tough love he needs to overcome his addiction, and become a man. She finally lets him know where to find his biological father. Will he find the parent he seeks or throw it all away, as the spoiled adolescent he has become?

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Taboo 4, is a direct continuation of the Taboo saga with many of the same characters and a few new scenarios.

This film opens up with Dr. Susan Block, a real life sexologist and talk show hostess, on a radio talk show with a psychologist who’s very anti-incest. He is promoting a book that explains many turn to incest in response to spousal infidelity. Kay Parker isn’t directly in this, but there is a flash back from her sessions with the Doctor. The footage, was shot during the making of Taboo, but it appears to be fresh, a director’s cut. (Better lit, excellent drain-the-balls fellatio after a messy cum shot).

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The good Doctor is a little uptight sexually. He has sent his girls away to an all-girls college to keep them safe. But they return home because one of his daughter’s was kicked out for sneaking in a guy. Dr. Jeremy is holding group sessions in his in-home office for incestuous persons. They are encouraged to share their personal stories, but they only really succeed in turning each other on as a consequence.

Meanwhile the Jeremy family isn’t all it seems. Mama has been having an affair with the Doctor’s brother for long enough, that he is the actual father of one of the girls. He catches them in the act just before the girls get home and banishes his wife from the family home. The slutty daughter goes with her mama because she has a crush on her uncle. The good daughter stays home to take care of daddy.

The girls are in a play together at a local community college. The director keeps hitting on the slutty daughter. He makes up a role playing scenario that they are kissing cousins, then they fuck. Meanwhile the two daughters slowly pull out all stops to seduce their respective fathers.

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Taboo American Style 3. The Sullivan family saga continues in this hardcore miniseries. These films have a great storyline, with Raven starring as the seductively evil Nina Sullivan. This time Nina’s interests shift from dominating her pussy wiped Daddy to making a break into the film industry through Daddy’s business contacts. Tom comes home from college to find his domineering mother a pill popping shadow of herself.

The film opens with Tom fucking his girlfriend at college, they are planning on a trip home to meet the Sullivans. Next, we have daughter Nina demanding Daddy play with her instead of going to work. Nina always gets her way because she is neither afraid to ask for what she wants or to use her sexuality to get it. Because Nina gets moved out of the master bedroom, she decides to start putting the moves on her brother Tom. After seducing him, she invites his girlfriend to share her room during her sleep-over.

Best line in the movie, while seducing Tom’s girlfriend, “I’m not gay, I’m perverse.” Of course, Tom joins in. Later a movie director is invited over for dinner with his wife. Nina wants to be considered for a screen test, so she walks in naked on them while they fuck before bed.

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Finally, during the last scene of the movie. While Nina is making her film making debut, Mom corners Tom. She has been discarded and is an emotional wreck. She runs him a bath like she has to take care of him, but it’s her that needs him. She is desperate to talk to someone, as well as to touch and be touched by someone. She ends up telling Tom about Nina and her father. She joins him in the tub, fully clothed at first, evidence of her scattered brain. When she reaches out for him like a lifeline, he responds enthusiastically.

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Taboo 3 begins with the departure of Paul from the home he shares with his mother. We then learn that he has a younger brother Jimmy. Where Jimmy was for the first 2 movies is never really addressed, except that he feels that his mother is closer to Paul than to him, and he seems to resent it.

Taboo 3 sees Barbara dealing with some uncomfortable repercussions from her relationship with Paul. He has abruptly ended things, needing his space, and she is beset with guilt. Meanwhile her younger son Jimmy is looking to fill his brother’s role, but she denies herself her incestuous desires because things didn’t go as planned with Paul.

Jimmy and his best friend are managing a rock band. They have more sex than the band members as groupies through themselves at them. The film is filled with decent music and 80s fashion, not what you would expect from a skin flick. Jimmy’s partner fucks anything, including his mom and Jimmy’s girlfriend. But it’s not in a betrayal way, he just doesn’t seem to attach any sort of possessive emotion to sex.

It’s actually Jimmy’s friend’s mom who helps Barbara get over her reluctance to be with Jimmy. She suspected that Paul had something going on with his mother, and wanted to know the details. So shares her son with Barbara in an attempt to get her to open up, and stop denying herself her true desires. Two mom son relations for the price of one, this film is long but worth it.

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The explicit depiction of taboo themes, as seen in Taboo 3, is now widely regarded as unacceptable, both legally and morally. While the Taboo series remains a significant part of adult film history, its themes and content are unlikely to be replicated in contemporary cinema, underscoring the changing boundaries of artistic expression and societal values.

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Taboo II continues the story of the original Taboo (1980), exploring the taboo subject of familial relationships and forbidden desires. The film picks up with Barbara (played by Kay Parker), the mother from the first film, as she deals with her son’s departure from the nest.

The story introduces new characters, from the McBride family. We recognize Paul’s frisky girlfriend from the first film, being hit on by her older brother. Together they encounter Barbara, who missing her son, is enthralled by his flirtatious best friend. He agrees to drop by her house later. There he discovers Barbara’s nympho friend Pegg has warmed her up with massage oils. She encourages the two to get it on, saying, “Doesn’t he remind you of Paul?” Doesn’t his cock remind you of Paul’s?” Junior, finding out about the incestuous relationship, is only too eager to fuck his best friend’s hot mom.

As with the original, Taboo II is known for its narrative-driven approach, which was somewhat unusual for adult films of the time. The film attempts to blend explicit content with a story line that explores the emotional and psychological consequences of its characters’ actions. Junior with his own incestuous desire, for his sister, tells his girlfriend who is her best friend. His idea is to let his girlfriend seduce his little sis, and slip himself in, once she is too worked up to stop. They pull it off and she finds out that it isn’t such a big deal because Paul had been fucking his mom while he was seeing her too.

Taboo II (1982), explores more than this brother sister relationship. It looks at family dynamics as a whole, duties, relationships, secrets and desires. Then it puts them all together and tosses the salad to see what lands on top. The film, directed by Kirdy Stevens, continued to explore taboo themes of familial relationships, which both fascinated and disturbed viewers. Audience reactions were deeply polarized.

Culturally, the Taboo series, including Taboo II, became a reference point for discussions on taboo subjects in film and popular culture. It inspired countless imitations and sequels, cementing its legacy in the adult film genre. While its themes remain controversial, Taboo II is remembered for pushing boundaries and challenging societal norms, leaving an indelible mark on the history of adult cinema.

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