Brothers and Sisters is like a family reunion where nobody fights over the will — just pure, unfiltered sibling adoration cranked to eleven. These brothers and sisters are so tight, they probably shared a womb like a studio apartment and still never argued over rent.

So, the filmmaker—who’s either a genius or a glutton for punishment—jets off to who-knows-where to find siblings. Brothers and sisters, who are so close, they make Hallmark cards look emotionally constipated. They don’t just love each other. They personify love in the most spectacular lustfully lascivious way.

First siblings: These two are basically attached at the hip. They finish each other’s thoughts and when they fuck each other, it’s like they’re describing some kind of mythical guardian angel who also knows how to do their taxes.

Second siblings: These guys are wildly affectionate. Like, not in a creepy way, but in a “We survived some real garbage together, and now we’re gonna hold hands in public just because we can” way. They demonstrate their bond like it’s this unbreakable force field against life’s nonsense, and honestly? I’m jealous. My siblings and I once fought so passionately over a Pop-Tart, we didn’t speak for a week. If only we had brought that passion to the bedroom.

Third siblings: They’re not just siblings—they’re partners in crime. And when they fuck each other, it’s with this mix of admiration and “if anyone looks at you the wrong way, I’ll knock off his block”. Intense energy that makes me wanna call my brother and be like, “Hey… remember that time we didn’t kill each other? Good times.”

Fourth siblings: They’re so hungry for incest, they could start an Egyptian dynasty. One starts getting naked, the other descends to the genitals. Instead of worrying about social norms, they just lick and suck like social attitudes are a pathetic joke. Brothers and sisters who fuck each other? It’s disgustingly hot and yet sweet. Like, “I hope my kids love each other half this much or I’ve failed as a parent” sweet.

This video is a challenge. A big, loud, “HEY, YOU—YEAH, YOU WITH THE FAMILY YOU HARDLY TALK TO—WHY NOT TRY THIS?” kind of challenge. So go ahead. Call your brother. Text your sister. Send your sibling a meme so stupid it makes them groan. Because if these brothers and sisters can shout their love from the rooftops, why can’t we?

Now if you’ll excuse me, I gotta go emotionally reconnect with my family… or at least apologize for that Pop-Tart incident.

Watch also My Brother and my best friend

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Family Screw, behind every smile is a cock or pussy waiting to fucked, a family’s love runs deeper than the society’s moral hypocrisy.

The family was a force of nature, a chaotic yet tightly knit unit that thrived on its own contradictions. Their home videos, never intended for public eyes, were a raw and unapologetic glimpse into their world—a world where inappropriate behavior and fierce love coexisted in equal measure.

When the videos leaked, the world was both horrified and captivated. The family’s inappropriate behavior was impossible to ignore, but so was their love for one another. Strangers watched in disbelief as they oscillated between chaos and connection, their loyalty to each other unwavering. The family, for their part, seemed unfazed by the exposure. If anything, it only strengthened their bond. Whether young or old, fit or round, beautiful or average, family is always loved and welcome. They were a unit, a single entity that thrived on its own contradictions.

Their accents, thick and unmistakable, became a signature of their videos. The world could judge them, but it could never replicate what they had—a family that loved one another. Family Screw looks like the home videos of a family holiday, not to any exotic beaches or national monuments but rather a hedonist excursion to a swingers’ resort. And this unorthodox family holds nothing back, mixing with friends and each other in every way imaginable.

In the end, the videos were more than just a glimpse into their lives; they were a testament to the complexity of family. The inappropriate behavior, the laughter, the loyalty—it was all part of the same tapestry, woven together by years of shared history and unbreakable bonds. They were flawed, they were fierce, and they were, above all else, a family.

Watch My Mother is my lover 2

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The Cement Garden was based on Ian McEwan’s novel of the same name

The Cement Garden is a bizarre film almost surreal. The story revolves around a family with 4 children, and the tragedies they endure. Like the backyard “garden” cemented in, the dysfunctional family struggles in its development. Tragedies orphan the 4 siblings and they struggle to deal with things in each his own way.

The film is focused on the eldest boy Jack, who at 15 feels guilty for his father’s heart attack.  He was supposed to be helping him re-cement the backyard, the Cement Garden. But he had snuck away to masturbate. In fact, this is largely a coming of age film for Jack (Andrew Robertson), who goes from a narcissistic masturbate ‘r to the male head of his household in a few short months. The shared responsibilities, and lack of adult supervision, turn his hormonal tendencies into an unhealthy obsession for his 17 year old sister Julie (Charlotte Gainsbourg).

The tension between the elder pair of siblings is typical at first. As when their mother takes ill, Julie finds herself strapped down with the full responsibilities of a housewife. Their mother prepares for a long hospital stay and warns Jack that he must help his sister keep her absence secret as the authorities would put his younger siblings, maybe him too, into protective and take the family home. When she dies before treatment, Jack and Julie hide her body in the basement, encased in the leftover cement meant for the Cement Garden.

The youngest brother Tom is only a first grader. He misses his mother so much that be begins a psychological spiral. This spiral starts with bullying, continues with cross-dressing and role playing and ends with him adopting infantile behaviors. This pseudo-sexuality is rarely seen or captured in such a young actor. But the Cement Garden is not your typical film. Tom was played by the director, Andrew Birkin’s own son Ned. And the family affair doesn’t end there, as the female lead, Charlotte Gainsbourg is the director’s niece.

Watch a mom love her son !

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Spanking the money is a 1994 mainstream movie. It turns family drama on it’s head. redefining the relationship between a parent and their offspring.  The film’s title itself is a euphemism for masturbation, when one takes “matters into their own hands”.  However, the main character Raymond, feels increasingly that his fate is out of his hands.  Raymond (Jeremy Davies) has plans for a summer internship when his father makes him care for his bedridden mother instead. Susan (Alberta Watson), isn’t physically unwell, but she has limited mobility because of a broken leg. As Susan becomes increasingly dependent on Raymond, their relationship takes a disturbing turn, leading to a taboo connection between mother and son.

Exploring sexual awakening in the context of an inappropriate relationship “Spanking the Monkey” attempts to address the conflict nature of the Oedipus complex.  Raymond is resentful of his familial situation, especially since it has disrupted hard earned advances on his career path. He finds himself struggling to relate to his peers and is sexually awkward with his attractive neighbor.  Regardless, his sexual frustration, begins drive him into the arms of his mother, who is ever present in his daily activities. This exploration of a taboo subject forces the audience to question the boundaries of acceptable human behavior and challenges us to consider how circumstances can push individuals to do things normally reprehensible.

One could argue that director David O. Russell’s willingness to tackle such prohibited subjects is a daring artistic choice, especially for his first feature film. The forbidden change in nature of the principle mother -son relationship,  is not the only dark theme.  Raymond’s narcissistic parents manipulate him for their own comforts, though-out the movie. He is driven  to near suicide, as he increasingly loses control, over the direction his life is taking. So this is also a film about toxic relationships, how commitment with the wrong priorities can undo the best laid plans, robbing a person of years of hard-work.

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Le Grand Jete means big leap, a ballet term. This subtitled German film is about a ballet instructor who makes a life changing big leap with her estranged son.  The film begins by focusing on the crippling effects that a lifetime of extreme training has taken on body of Nadja (Sarah Grether). The only thing that gives her life meaning is ballet and she drives her students hard, like she drives herself.

When she visits her mother, she is reunited with her son. A son she let her mother raise so she could pursue her dreams of being a professional ballerina. She has recently returned from overseas, to continue the ballet traditions as a respected instructor in her hometown. Her son is a young adult, getting ready to start college. Nadia is probably in her mid to late 30s with a ticking biological clock, she wants to establish a relationship with him, just as he is ready to leave the nest.

The film takes a strange art-nouveau twist as we learn that the son Mario engages in extreme feats of physical endurance (like his mom). After his “show”, they go back to the home he still shares with her mother, his grandmother. There, le Grand Jete, truly begins as Nadja asks if she can touch, his prize winning, most endurant body. He is absolutely unreserved in his response, as she remains very much a stranger, a celebrity of sorts, more a curiosity than his mother.

Nadja moves in with her family and continues to get to know her son. The physicality of their personalities defines as well their relationship. Their relationship knows no boundaries, much to the disapproval of her mother. Quickly Nadja becomes pregnant and Mario stays on until after she safely delivers. With the birth of her daughter, Nadja is finally happy, and has a new purpose in life. The movie, le Grand Jete, ends when she releases her son from his commitment to find his own path.

Turn on your mom and sister

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French love with mom is in french without subtitles. This scene encompasses a common fantasy based on living in tight quarters and sharing private spaces like bathrooms. Mother and son find themselves in the bathroom together and mom gets horny seeing her grown son bathing. The film sees them getting past the uncomfortable sexual tension and going all out exploring what each can offer sexually.

There is condom use, which may upset many used to American porn. Rest assured in France, this is normal, and not any less real. The sexually liberal attitudes of the French mean that condoms are regularly used even by married couples. When you want the liberty to fuck anyone you like, you wear a condom, so nobody gets anyone sick or pregnant unless on purpose.

French love with a mom and her son getting wild in the bathroom they share. Mutually bathing. Son feasting on Mom’s pussy. Then good clean fucking fun. French love with mom brings to life the private desires present in many incest-sexual families, without even leaving the bathroom.

Certainly this video is in french but jerking off is in any language. You can either take this opportunity while you stroke your cock to learn a new language or you can turn the sound off. Regardless, jerking off is universal and fucking your mom in the ass is a hot taboo.

My mom,my brother and I

Ce film est un coup d’oeil sur une famille coquine. La salle de bain n’est jamais privée en famille. Quand cette mère trouve que son fils se baigne, elle devient en chaleur. Ce film erotique montre leur exploration d’amour comme un partage familial. Le sexe en famille entre une maman et son fils est tellement chaud. Le fantasme de beaucoup, profitez-en.

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